Free Ebook Color Choices: Making Color Sense Out of Color Theory, by Stephen Quiller
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Color Choices: Making Color Sense Out of Color Theory, by Stephen Quiller
Free Ebook Color Choices: Making Color Sense Out of Color Theory, by Stephen Quiller
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About the Author
Stephen Quiller is an internationally recognized artist and teacher and is the author of the bestselling art guides Acrylic Painting Techniques and Painter's Guide to Color. He lives in Crede, Colorado.
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Product details
Paperback: 144 pages
Publisher: Watson-Guptill; Revised ed. edition (February 1, 2002)
Language: English
ISBN-10: 0823006972
ISBN-13: 978-0823006977
Product Dimensions:
8.3 x 0.4 x 11 inches
Shipping Weight: 1.3 pounds (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
166 customer reviews
Amazon Best Sellers Rank:
#28,271 in Books (See Top 100 in Books)
I bought this book thinking it was a revised edition of the 1989 book, after all the web page says "Publisher: Watson-Guptill; New edition edition (February 1, 2002)"It is a new paperback edition of the original 1989 book.The Quiller Color Wheel in this Malaysian edition has several major color errors. For example, the Magenta in the color wheel is Ultramarine Violet.The original book is 5+ stars. I've given this poor reproduction 3 stars because his newer book is better and there are color mistakes in the printing.Skip this lousy reproduction and either go for one of his newer books Painter's Guide to Color (1999), Watermedia Painting with Stephen Quiller: The Complete Guide to Working in Watercolor, Acrylics, Gouache, and Casein (2008) or seek out an original 1989 edition.
I've been searching for that perfect book which would deepen my understanding of color and the color wheel so that I can apply it to my quilt-making. Reading Stephen Quiller's 144-page book on color theory provided several ah-ha moments for me. The title says it all, "Color Choices - Making Color Sense Out Of Color Theory". He teaches workshops on color, so this book was extremely informative and simple to understand. I actually found it to be an enjoyable read.My main question around color has always been, "So what? Yes, colors lay next to each other and opposite each other on the color wheel, so what?" It finally connected for me, thanks to Stephen's down-to-earth writing style that, "Color is magic! And what a gift it is to use color in a way that truly expresses what the artist feels."It's difficult to articulate those ah-ha moments in a product review, but here's how one moment worked for me: to assist the reader, Stephen offers sections in the book called, "Six Studies". There are 6 of the same subjects painted differently 6 times using various color schemes and he asks you to, "Notice how each study differs in color emphasis, value, and intensity. Also look at how the various moods have been developed, ranging from calm and serene, to austere, to fantasy-like, to dynamic and powerful." Because of the 6 side-by-side comparisons, my eye traveled differently around each painting and I began to understand the theory of contrast. Or, I would like one painting and despise another connecting to the theories of intensity and color harmony. Wow! I actually get it!Then he explains what the color is doing for you, for example, "The bright orange has been neutralized to create a distinct mood." He's an art instructor, so at the end of each chapter he offers a "Workshop" where he provides exercises for the painter. I continue to find great value in re-reading and experiencing this book and I don't even paint!
If you are a begginner skip this book, examples here in this book are not simple, most of the time confusing, for begginers eyes you wont be able to see what he is trying to explain. Because examples are not simple to make the point, they have similar values or chroma that would make you get confused.Also this is not a book for digital painters, if you are a digital artist and a begginner skip it. I recommend this more to traditional artist that have a better eye in watching color values. I wish the examples were more easier to make the point of each topic easier to grab.
While I am a watercolour painter, this book also talk to the acrylic and oil artist. This book has a lot of information about colour and how it works in order to have an outstanding painting with colors helping each other rather than it looking chaotic and somehow out of sync. The only other books that I would recommend on color that I have read so that anyone can understand are below.In addition, I would recommend PANTONEs Guide to Communicating with color by Eiseman. It is a great book to use to understand the psychology behind color and how it is used to communicate a mood or feeling. Let's face it, Marketing does this all the time and it can also be used as a guide when deciding what hues you want to use in your artwork. I love this book and is a great cheat reference for me and also has some surprising color combinations that I would never have thought of.For any Artist:Color Mixing Bible, by Ian Sidaway_________________________"COLOR WORKS, the Crafters Guide to Color" by Deb MenzFOR ANYONE who wants to know about COLOR THEORY this text breaks it down so that ANYONE can understand this complexsubject. I learnt more about color theory in this book than all others put together because I now "Understand" the concept.While this book is for the textile artist, ALL artists should get it and it also has cut outs to use when choosing yourcolour palette whether it be for Fashion Design or Art.
Wow, amazing book! Best book purchase I've made in a while. This book does not speak to you as if you are 10 yrs. old. Information is understandable yet it is very in-depth. I have read it cover-to-cover and I can't begin to tell you how much I've learned about using color. I am a beginning artist but there is enough technical details that it is appropriate for advanced artists, too.
I love to read about how other people paint, but this book had just too little substance, with a slightly New Agey feel to it, and quickly became tedious. Mostly it consists of endless rather self-congratulatory critiques of the author's own paintings. Unintentional comic relief is provided by occasional howlers such as making Burnt Sienna a more yellowish orange than Burnt Umber in the (modestly named) "Quiller color wheel."In my opinion, a much better source for these topics (including a correct version of such a color wheel) would be "Color and Light" by James Gurney. Also, you'll learn more from watching the drawmixpaint videos on color mixing on youtube than from this book.
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