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Documentary Storytelling
PDF Download Documentary Storytelling
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About the Author
Sheila Curran Bernard is an award-winning filmmaker and writer whose credits include projects for broadcast and theatrical release as well as museum and classroom use. She has taught at Princeton University, Westbrook College, and the University at Albany, SUNY.
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Product details
Paperback: 378 pages
Publisher: Routledge; 4 edition (December 25, 2015)
Language: English
ISBN-10: 9780415843300
ISBN-13: 978-0415843300
ASIN: 0415843308
Product Dimensions:
6 x 0.9 x 9 inches
Shipping Weight: 1 pounds (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
8 customer reviews
Amazon Best Sellers Rank:
#414,963 in Books (See Top 100 in Books)
Nice read
Very concise, informative, and well written. Perfect for anyone looking to learn more about storytelling through nonfiction film.
A nice step by step for how to approach making a documentary.
The book gave me great insights into various ways documentarians approach their work. As a new videographer, it was a great survey course.
great information!
Some concept of narrative seems to be creeping into all the arts nowadays but at least in works prepared for the screen it means telling a story. Although it's easy to think that story telling applies mostly to fiction, it is just as relevant to documentary productions.The book is divided into three parts. The first is aimed at explaining just what story is, from the basic idea of a story to an examination of how one can be creative, even in a presentation bound to facts. The second part discusses some of the elements of developing a documentary story from research to editing. The third part is a series of interviews with the makers of documentaries, emphasizing how they developed the stories in the work, although occasionally spilling off into other areas. I found this last section particularly interesting from the range of documentarians from those who carefully plotted their films to those who actually eschew plotting.To a great extent the author relies upon examples drawn from recent documentaries, including, for example a "close viewing" of Morgan Spurlock's "Supersize Me." The author also provides references to web sites and books that illustrate and explain further details of how particular documentaries tell their stories. (Occasionally some of the references didn't seem very useful, but I don't blame the author for that.) The best way to use the author's instruction is by viewing the actual films and concentrating on how they develop their story line.This is a basic approach to the idea of storytelling. It is written in clear and simple language. I'm not enough of an expert to know if there are important subjects that have not been covered, but what is here rings true and accords with my experience. There was an emphasis throughout on the fact that that documentary storytelling does not require chronological order for presentation, but rather often benefits by moving about in timeThere are approaches to documentary filmmaking that do not tell stories (or at least may not fit into the framework described here) that are not discussed.The book is aimed at a beginning student in film school who is interested in making documentaries, although other students of film, interested in developing their appreciation of the finer points of documentary films will also benefit from a reading.Note: The publisher provided me with a review copy of this book at no charge.
This is an amazing book to get you familiar many fundamental aspects of documentary film making. This book helped me refresh my memory about many things I had simply forgotten about and it was a great help while during the pre-production of my latest feature length wildlife documentary film. The Author's take on every topic shows she has a great deal of knowledge and experience in the subject of documentary film making. I would recommend reading this book before starting your documentary and short film.Thank you for your help Sheila and for providing this resource to film makers.
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